Lugar: Auditorio Phillippe Flajolet, Depto. In his research he focuses on combinatorial optimization and approximation algorithms, i.e., on algorithms that are efficient and compute solutions that are provably close to the optimum.įecha: 12 de octubre de 2018, 12.30 a 13.30 horas. He finished his PhD in 2011 at TU Berlin and was a postdoc at TU Berlin, La Sapienza in Rome and at the MPI for Informatics in Saarbruecken. Key to all results is to show that there are good solutions that have a relatively simple structure.īio: Andreas Wiese is an assistant professor at the Industrial Engineering department of the Universidad de Chile. I will present an algorithm with an approximation ratio of 1.89+eps and varios other results for the problem. This problem generalizes the well-studied (one-dimensional) knapsack problem. The goal is to pack a subset of the given items non-overlappingly into the knapsack in order to maximize the total profit of the packed items. Each item has a profit associated with it. Given are a square knapsack and a set of items that are axis-parallel rectangles. Unfortunately, it turns out that this approximation algorithm is not monotone It can be tweaked to be monotone, but this requires a bit more background in. In this talk I will present approximation algorithms for the 2-dimensional knapsack problem. There is an FPTAS (fully polynomial time approximation scheme) for Knap-sack: an algorithm with approximation ratio of 1 and running time polynomial in nand 1 for all >0. Therefore, we are interested in approximation algorithms which are algorithms that run in polynomial time and provably find solutions that differ from the optimum by at most some bounded factor, called the approximation ratio. The weights (Wi) and profit values (Pi) of the items to be added in the knapsack are taken as an input for the fractional knapsack algorithm and the subset of. We describe a general technique to design PTASs, and apply it to the famous Knapsack problem. Abstract: Many optimization problems are NP-hard and therefore we do not expect to find algorithms for them that are efficient, i.e., run in polynomial time, and find the optimal solution for any given instance. In this module we will introduce the concept of Polynomial-Time Approximation Scheme (PTAS), which are algorithms that can get arbitrarily close to an optimal solution.
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The path from most general to most specific (or the other way around) is a common case in pretty much all in life. I wouldn't necessarily agree that this is always the case.Īlso, I don't think it's really data duplication we're talking about. Almost all of this can be summarized as "data duplication is a nightmare." What do you think about that? Of course tools would need to me made aware of that. If the build process is so that at some point the font is output as a set of TTX tables, and there is an older version of the tables already present, and the user has declared that the "name" table TTX file is "locked", then the outputting tool would honor that and produce newer versions of all the other table files, but keep "name" as it was before. could be "locked" by the user, and then if the user runs an autokerning/autospacing algorithm, that algorithm will do its thing only on the unlocked pairs or sidebearings, but it will not touch the locked entries. For example, certain kerning pairs or sidebearings etc. The same applies really to every aspect of the font production chain. But if it is unlocked and I change the UFO kerning, then the "kern" feature gets regenerated. For example, I could declare that my "kern" feature definition in ist is "locked" and then it would not be overwritten if I change the UFO kerning. Is this type of marking certain data as "locked" part of UFO? What I'm talking about is mostly when a more complex process has to transform one type of data into another. Certain version control systems also have this functionality, but that usually applies to older and newer versions of the same data. Very basic conflict resolution can be done using timestamps. The user should be able to set the preference whether to: present this question every time, overwrite every time or skip every time, and whether to log the overwrites and skips.Īll that should happen on font-wide, glyph group, glyph and, where applicable, sub-glyph scope. For certain types of data, "Keep both" could also be an option.ĥ. Whenever a tool deems it recommended that lower-level data is overwritten, but that lower-level data is locked, it should ask the user: "Unlock NNN and overwrite?" (Yes, Yes for All, No, No for All). Allow the user to overwrite the unlocked portions of lower-level code with code generated from updated higher-level code.Ĥ. Allow the user to lock portions of lower-level code i.e. Detect when a lower-level code becomes out-of-sync ("outdated") due to changes in higher-level code.Ģ. Generally speaking, I think a good tool and format should have the ability to:ġ. with hinting info added), and then there could be the Superpolator masters in Level 4. In case of Superpolator, there could be instances on levels 2 and 3 (e.g. Kalliculator's own "glyph generation" data, the shape of the skeleton and some pen definitions UFO code in GLIF format, potentially with Adobe-compatible PS hinting and FontLab-compatible TT visual hinting TTX code for "glyf" or "CFF " representation in case of "glyf", potentially with bytecode hinting. Taking Kalliculator as an example, a glyph would typically have three levels (let's forget about the 1.x levels now): Victoria dynamic group definitions or formula-based kerning values "code generator code": High-level information, e.g. "source code": Native UFO information about kerning groups and kerning values, and potentially some information as to which pairs should also go into the "kern" table "intermediate code": FEA syntax information for GPOS "kern" feature and, potentially, separate contents of the "kern" table, or VOLT syntax for GPOS "kern" feature "assembly code": Lowest level: XML representation of the "GPOS" table and the "kern" table Kerning is a good example where there are even more levels: Superpolator masters with interpolation info, Kalliculator skeletons and pen strokes, Victoria parametric info etc. "code generator code": "above UFO" information, e.g. "source code" Middle level: native UFO XML information "assembly code": source representation of SFNT data (let's assume for simplicity that it's TTX XML). "machine code": "master" binary SFNT data "deliverable code": binary SFNT data in the final container (TTF/OTF, WOFF, TTC etc.), signed, customized etc. There are largely several levels of any information about some font data: This is something I asked about back in April on the RoboFab list: what happens when for example kerning is being added by MetricsMachine and the data is not compatible anymore with the "private" data folder? (And i don’t want to hear criticism about ‘bad grammar’, krisantyl hardly spoke English at the time of his first story. He’s absolutely FUCKED (positive) and by far one of the most messed up creeps. Jason is so much more evil than people remember/realize. Jason the toymaker is and- his story and his backstory are really good. Not sure if these are all on the site but THE RAKE IS AN ABSOLUTE MUST READ, STILL GIVES ME CHILLS. I may make creepypasta smut, but I do truly love the potential and artistry of creepypasta □□□ They have been expanded upon not just through their original stories but from their visuals alone.ĪND there are plenty of new creepypasta characters and stories that are taking that creative spirit of the originals and just running with it! Same with Slender Man, Jeff the Killer, and many of the other most famous CP. But there’s no denying that THIS visual is awesome! Most Creepypasta has been criticized as being poorly written, but for me, its visuals were the BIGGEST strong suit.įor example, Eyeless Jack is not very well written. I love Candle Cove, Ted the Caver and The Expressionless. I would prefer if they made their own world and characters, like Candle Cove.Īnd speaking of Candle Cove, time to list my favorite creepypastas! (人◕ω◕) Things like “Rugrats, but it’s messed up” or “Sonic, but it’s messed up”… There’s not a whole lot of creativity to these. I’m not really a big fan of taking something that is super well known and just making a ‘messed up’ version of it (with the exception of Ben Drowned, Lavender Town and NES Godzilla. I’m not sure if these were official ones, but they were the earliest, and that’s Squidward’s Suicide and Suicidemouse.avi. But, if you've read all the Third Parent Reddit stories and would like to read the novel, I wouldn't mind sending you over a PDF of the book.OOH, I’ll start with the ones that I find to be the worst. I want this to be as mysterious for you as it was for me when I first read the first Reddit NoSleep story Third Parent. If you already know who Tommy is through reading the book, great however, if you don't, I'd rather not reveal his origins. Tommy can't necessarily die, either, but I will give your character the ability to fight back because godmodding is fucking annoying. As for any other abuse, I'm all about it. He almost looks like some sort of living, human-sized doll.ĭue to Tommy being an intensely cruel being, I will not fully RP the sexual assault punishments he gives to those he feels deserves it. Just a white strip that almost looks like a white mouth gaurd within his mouth. Tommy's nose is a simple bump on his face, void of nostrils, while his smile is a cheerful cut along his cheeks revealing a white strip of teeth that aren't really teeth. It almost looks like plastic - for there are no wrinkles, dimples, blemishes, or anything of the sort however, his skin feels of normal flesh. Tommy is usually wearing a white T-shirt with the greeting “HI!” printed out in red cartoon font on his chest with suit pants or khaki shorts. Tommy Taffy is a mystery in general, but it is his appearance that places unease in the pit of everyone's stomachs at first.īy the author, Tommy is described to be 6ft tall and have blonde, golden short hair. Mostly the men will get punched and thrown, while the women end up usually being sexually assaulted however, all genders are extremely eligible for both treatments. The man has incredible, INHUMAN strength and is not afraid to choke, stab, punch, and throw things at ANY member of the family he is staying with to teach them a lesson. When and if rules are broken - even if they aren't, sometimes - Tommy will usually inflict almost fatal and highly physical violence. The fickle creature forces himself into many family's lives, psychologically, emotionally, and physically abusing them with every fiber in his being and (usually) a large smile on his face however, Tommy has fits of rage that end in malicious consequences whenever the rules aren't followed. He aims to "assist" the parents on raising their children, however, insidious events are surely to unravel soon after his appearence. Tommy Taffy is a man-like creature that arrives at the doorsteps of many families. For heavy loads, such as high brass or slugs, the port should be open to allow excess gas to be vented from the weapon to prevent damage. With lighter loads, such as target or small game loads, the port should be closed or slightly open. The system is designed so that a shotgun shell can be used as a tool to adjust the large gas plug located above the barrel. The patented gas system of the Origin 12 allows it to pick up the gas as soon as it leaves the chamber, making it very efficient. The short-barreled model weighs 7 pounds, 3 ounces the 18.5-inch barrel shotgun weighs 9 pounds, 3 ounces. The barrels come fitted with thread protectors. The barrel’s muzzle is externally threaded with the same M22x75 threads as the Saiga and Vepr shotguns to accommodate flash hiders, muzzle brakes or sound suppressors. The barrel module is available in different lengths and can be swapped out in seconds by the removal of a single pin. The 10.67-inch barrel model is a short-barreled shotgun, which is subject to NFA regulations and the $200 federal transfer tax. The Origin 12 shotgun is available in 18.5- (non-NFA) or 10.67-inch barrel lengths. The safety and magazine release are positioned for operation without removing the hand from the pistol grip. Origin 12 shotguns are all restricted to 2.75-inch shells. The shotgun is a two-part modular construction consisting of the receiver and stock, and the barrel, gas tube and handguard assembly. There is plenty of rail space to mount just about any accessory-from optics to flashlights. Front and rear polymer folding sights are standard. A large ejection port cover keeps debris out of the action when the weapon is not in use. The telescoping AR-style stock folds to the side to decrease the overall length of the shotgun for storage or carry. The magazine release and safety lever are ambidextrous, while the non-reciprocating charging handle is located on the left-hand side of the receiver. Felt recoil is reduced by the stock, which is located above the centerline of the bore. The weapon’s reliability is enhanced by a rotating bolt with two large extractors. One of those features is a long-stroke gas system, which will function with low-power shells that are normally reserved for pump or break-open shotguns. The Origin 12 has a few unique features that set it apart from many other semi-automatic 12-gauge shotguns. The Origin 12 is made in the USA and has been available for a year or so, yet it is relatively unknown. The weapon is the FosTecH Outdoors LLC Origin 12 shotgun. There is a fairly new magazine-fed, semi-automatic, gas-operated tactical shotgun available for scattergun enthusiasts. Just wait till you’ve used the e-STUDIO 2550c for a while and you’ll wonder how you ever got along without it. Beginning with the All in One, network-ready architecture for color copying, printing, and scanning, Toshiba style. The e-STUDIO 2550c offers a new Universal Printer driver. So, if you decide to add more e-STUDIO models, you can print from any of them without installing separate print drivers. The settings can be imported and exported as a file, making it simple to apply to multiple PCs. The administration is less work because the Universal Driver permits switching between PCL6 and PS3 so you can handle a variety of situations. #Toshiba color machine 2550c c3b1 driver# Administrators can control the use of the function tabs, making specific functions accessible or inaccessible by designated users. #Toshiba color machine 2550c c3b1 drivers#Īlso, drivers can have plug-ins so that new features can be added just by plugging them in. Walk up to the e-STUDIO 2550c and you’ll immediately notice how easy it is to use. Adjust the large, tiltable 9” VGA color control panel to avoid glare and increase visibility. It utilizes large, easy to read the text and a dynamic, interactive copier diagram that clearly illustrates paper configurations and copier status. Use the simple, one-touch access keys for whatever MFP function you want–copy, print, scan, fax, or e-FILING. Security features designed to meet your strict standardsīusinesses of all sizes are concerned about security these days. That’s why Toshiba packed the e-STUDIO 2550c with heavy-duty, high-security features. Protocols, encryption, authentication, you name it These advanced features can be accessed through easy-to-use controls and simple operations so you don’t have to be a security expert in order to put them into action. Toshiba’s e-STUDIO 2550c includes many of the security features required by the IEEE2600 standards for security measures that cover network and electronic text as well as encryption for the optional hard drive. Secure network connections are ensured through a variety of security features.
When created or cleared, the line edit will be filled with a copy of the input mask string where the meta characters have been removed, and the mask characters have been replaced with the blank character (by default, a space). Use \ to escape the special characters listed above to use them as separators. Terminates the input mask and sets the blank character to c. Hexadecimal character permitted but not required.īinary character permitted but not required.Īll following alphabetic characters are uppercased.Īll following alphabetic characters are lowercased. See also QTextEdit, QLabel, QComboBox, and Line Edits Example.Ĭharacter of the Letter category required, such as A-Z, a-z.Ĭharacter of the Letter category permitted but not required.Ĭharacter of the Letter or Number category required, such as A-Z, a-z, 0-9.Ĭharacter of the Letter or Number category permitted but not required.Īny non-blank character permitted but not required.Ĭharacter of the Number category required, e.g 0-9.Ĭharacter of the Number category permitted but not required.Ĭharacter of the Number category and larger than zero required, such as 1-9Ĭharacter of the Number category and larger than zero permitted but not required, such as 1-9.Ĭharacter of the Number category, or plus/minus sign permitted but not required. Pastes the clipboard text into line edit.ĭeletes the selected text and copies it to the clipboard.Īny other key sequence that represents a valid character, will cause the character to be inserted into the line edit. Moves the cursor to the beginning of the line.ĭeletes the character to the left of the cursor.ĭeletes the word to the left of the cursor.ĭeletes the character to the right of the cursor.ĭeletes the word to the right of the cursor.Ĭopies the selected text to the clipboard. Moves and selects text one character to the right. Moves the cursor one character to the right. Moves and selects text one character to the left. Moves the cursor one character to the left. The line edit also provides a context menu (usually invoked by a right mouse click) that presents some of these editing options. The default key bindings are described below. Note that if there is a validator set on the line edit, the returnPressed()/ editingFinished() signals will only be emitted if the validator returns QValidator::Acceptable.īy default, QLineEdits have a frame as specified by platform style guides you can turn it off by calling setFrame(false). Note that if focus is lost without any changes done, the editingFinished() signal won't be emitted. When editing is finished, either because the line edit lost focus or Return/Enter is pressed the editingFinished() signal is emitted. When the text changes the textChanged() signal is emitted when the text changes other than by calling setText() the textEdited() signal is emitted when the cursor is moved the cursorPositionChanged() signal is emitted and when the Return or Enter key is pressed the returnPressed() signal is emitted. The text can be aligned with setAlignment(). Text can be selected with setSelection() or selectAll(), and the selection can be cut(), copy()ied and paste()d. The text is retrieved with text() the displayed text (which may be different, see EchoMode) is retrieved with displayText(). You can change the text with setText() or insert(). When switching between a validator and an input mask on the same line edit, it is best to clear the validator or input mask to prevent undefined behavior.Ī related class is QTextEdit which allows multi-line, rich text editing. The text can be arbitrarily constrained using a validator() or an inputMask(), or both. The length of the text can be constrained to maxLength(). SetTextMargins(int left, int top, int right, int bottom)Ī line edit allows the user to enter and edit a single line of plain text with a useful collection of editing functions, including undo and redo, cut and paste, and drag and drop (see setDragEnabled()).īy changing the echoMode() of a line edit, it can also be used as a "write-only" field, for inputs such as passwords. SetCursorMoveStyle(Qt::CursorMoveStyle style) QLineEdit(const QString & contents, QWidget * parent = nullptr)ĪddAction(QAction * action, QLineEdit::ActionPosition position)ĪddAction(const QIcon & icon, QLineEdit::ActionPosition position) The SVG specification is an open standard developed by the World Wide Web Consortium (W3C) since 1999. Scalable Vector Graphics (SVG) is an XML-based vector image format for two-dimensional graphics with support for interactivity and animation. MNG is an extension to PNG that does it was designed by members of the PNG Group. PNG itself does not support animation at all. PNG was created as an improved, non-patented replacement for Graphics Interchange Format (GIF), and is the most used lossless image compression format on the Internet. Portable Network Graphics (PNG) is a raster graphics file format that supports lossless data compression. Click icon to show file QR code or save file to cloud storage services such as Google Drive or Dropbox. The output files will be listed in the "Conversion Results" section. It will automatically retry conversion on another server if one fails, please be patient while converting. Click the "Convert Now!" button to start batch conversion. The target image format can be JPG, PNG, TIFF, GIF, HEIC, BMP, PS, PSD, WEBP, TGA, DDS, EXR, J2K, PNM, SVG, etc.ģ. If this value is blank, the converter will use the estimated quality of your input image if it can be determined, otherwise 92. The value ranges from 1 (lowest image quality and highest compression) to 100 (best quality but least effective compression). The image quality option only works on a few image formats such as JPG, WEBP or AVIF. You can use the original image size or select the "Change width and height" option and enter a custom image size. Set target image format, image quality and image size. You can use file analyzer to get source image's detailed information such as image size, resolution, quality and transparent color.Ģ. Click the "Choose Files" button to select multiple files on your computer or click the "URL" button to choose an online file from URL, Google Drive or Dropbox. Then I was sometimes reminded that Flight Sergeant Pilots, like myself, could be commissioned later in the war, if they flew on bombing missions. He was born in Harrington, Cumbria (situated only 2.1/2 to 3 miles from Distington, Cumbria, where I was brought up after being orphaned). Personally, I thought it could have been because he was only a village boy like myself. What I cannot understand and accept, even now, is why he wasn’t awarded a commission. Our crew always knew, even in our young days, that he was ‘one of the best’. Having flown with many very senior R.A.F. He had accumulated thousands of flying hours with impeccable references as to his ability. I saw one of his log books when I visited him years later in a public house called ‘The Dying Gladiator’, which he tenanted near Boston Spalding, Lincolnshire. career, I was told, as the most Senior NCO/Warrant Officer Navigator in the R.A.F. Eventually, Pat, Boris and myself finally found out, that he had stayed in the R.A.F. I had not been certain he was married, but then ‘Bud’ was always a real loner. And that later, after quite a while, he had rejoined the R.A.F. ‘Bud’ we completely lost touch with for a time, but a few years later we found out that when he had been demobbed, he had taken up his pre-war trade as a bricklayer. They were allocated duties driving ‘top brass’ around in India mostly, I believe, until they were demobbed. Fred, Boris and George were posted to India. The dropping of the atomic bomb had led to VJ Day. However, although I met Fred, Pat who had been staying with him had by that time, been posted home to Australia. After all, we had as strangers met as individuals, grown closer and closer as we depended upon each other and flew together as a team.īoris, Fred, George, Pat and myself hoped to arrange a reunion. But as Skipper, I was fairly certain that the crew felt the prospect of ‘breaking up’ very deeply. Peace in Europe had come suddenly for us, when one considers the state of tension we had all been operating under for so long. I can’t bring to mind many memories or happenings during this period, nor in any chronological order. Once, with Marie, now my wife, we stayed with Fred’s family in Hainault, which borders Epping Forest. Sometimes we separately, in small groups or all the crew together, visited Lincoln and the surrounding countryside. We went off in our various ways, visiting our homes and friends. On returning to Wickenby, we were told that having completed a full tour of operations, we were entitled to extended leave. He fully understands the site's terms and conditions. Cheat Engine is a free piece of hardware that you can edit RAM addresses thus cheating in a game.This story was submitted to the People's War Website by Elizabeth Perez of Stockport Libraries on behalf of Leslie Landells and has been added to the site with his permission. I show you basic steps to change current in Bomber Crew. This question gets asked a lot and the answer is yes (for now). Even if it uses Cheat Engine it's safe (Cheat Engine itself is not detected). Actually Instant RP is safer than the instant RP found on other mods. Requirements Cheat Engine 6.6 / 6.5 GTA V How to use? Open the.CT file Click on the computer icon (upper left part) Click on 'Open'. Download Bomber Crew for macOS 10.7 or later and enjoy it on your Mac. Prepare your crew for their most dangerous mission yet and go chocks away for a sky-bound expedition in this strategic survival sim, Bomber Crew. Choose your Crew! Train and personalise your own Bomber Crew. In this article you can download Bomber Crew Trainer.Procedurally-generated names, skills and back stories means a. This trainer +13 has been created by CheatHappens for game version 4100. All cheats on our site you can download without registration, so this hack available for download free. With this trainer you will get the advantage in your game. Use at your own risk - can install bloatware & mess with your personal settings unless you uncheck the 'install yahoo search suite' box in the installer!.īut first, a bit of information about the game. I understand that people want to make money from the music industry, but some people in the music business or industry are driven solely by making money or profit and they don’t even like music. There are too many people involved in the music industry for the wrong reasons. What do you think could be done to improve the industry in the future? The music industry took a massive hit during lockdown. I added seven well-known rebel songs too like Sean South and Celtic Symphony too He has so many great ideas for my songs, can add so many instruments and can play them all himself. Sticks is such a brilliant musician and adds so much to a song. It was recorded in Strabane, Tyrone, with a good friend of mine, Sticks Doherty. I wrote three songs on the album- Rebel Soul, We Hail To Celtic and Our Island. I loved making the album Rebel Blood, Fenian Heart. You recently wrote and recorded a brilliant album called Rebel Blood, Fenian Heart how did you find the process? I suppose if I can try to categorise or describe the style of music I play, it would be rock, rebel and country. What style of music would you say you play and why did you choose that style? The words just resonate as you sing it, you imagine yourself as the protagonist in the song. It was always one of my favourite songs growing up and I’ve been told by a few people that my version of the song is not too bad. I’ve been to Glasgow loads of times, but never to play a gig, so that is something I would love to do.ĭo you have a favourite song to perform and why?Ī Sniper’s Promise. I’ve never played in Glasgow, but if I did it would probably have to be Grace’s Bar. You feed off their enthusiasm and the more crowd enjoy the gig, the more you want to playįollowing on from that, are there any venues you’d love to play? There are so many brilliant venues and great crowds in Ireland. You play a wide variety of venues in and around Dublin. His anger, his lyrics, his rage, his guitar playing, his persona… He is, without a doubt, a legend! Egos can be a massive put off with band’s which I try to avoid. You rely on each other on stage, you read each other’s playing style and work in harmony together. But I really do appreciate bands because it’s such hard work. Have you always played solo or have you played as part of a band? If so which do you prefer?ĭefinitely solo. I enjoy the storytelling in a song-songs that convey a message. Songwriting is just something you develop over time. How did you learn to write your own material?īy listening to bands and musicians that I loved growing up. For me, songwriting is just figuring things out in your mind, writing your thoughts on paper and moulding it piece-by-piece into a song. It can’t be narrowed down to one person or one songwriter. Who inspired you to write and perform the songs you do? The guitar was never encouraged, which is why, I suppose, I kept learning and playing more and more. They were more Gaelic football and soccer orientated. Were your family musical? And if so did they encourage you to pick up the guitar? As I got into my teenage years, it was all Oasis, Nirvana, REM and so on, so I still love rock music too. I grew up listening to Irish Rebel music which I still love to this day. Let’s find out a bit more about him.Īt what age did you gain an interest in music and why?įrom a very young age. Kev (above) burst onto the livestream scene at the beginning of lockdown and has been a regular ever since, gathering a world wide audience. GLASGOW Irish Bands and Gigs this month takes a trip over to Dublin to catch up with the talented Kevin O’Driscoll. Platforms are the new competitive advantage in eCommerce, and the world’s most trusted brands choose Mirakl for its comprehensive solution of technology, expertise, and the Mirakl Connect ecosystem to unlock the power of the platform business model for them. With Mirakl, organizations across B2B and B2C industries can launch marketplaces faster, grow bigger, and operate with confidence as they exceed rising customer expectations. Mirakl offers the industry’s first and most advanced enterprise marketplace SaaS platform. From pink flamingos and party supplies to holiday decorations and crafts, Oriental Trading Company makes life more fun! About Mirakl Recognized as one of the Top 100 Online Retailers, Oriental Trading Company employs approximately 1,800 employees and offers more than 50,000 products to individuals, teachers, schools, churches, businesses and not-for-profit organizations. Oriental Trading Company is the nation’s largest direct retailer of value-priced party supplies, arts and crafts, toys and novelties, and a leading provider of school supplies and affordable home décor and giftware. The marketplace launch will help solidify their spot as an e-commerce leader and a brand that customers will continue to know and love for years to come.Ībout Oriental Trading Company (A Berkshire Hathaway company) Oriental Trading looks to quickly expand the seller universe in its existing and growth categories.įor more than 85 years, Oriental Trading has been a leader in helping children and families celebrate, express creativity and bring fun into their lives. Brand owners, or their authorized resellers, with quality products and competitive pricing in these categories are encouraged to email their profile to Oriental Trading’s marketplace team will work with selected sellers to determine product catalog and onboarding to Mirakl’s platform. With the marketplace set to launch this summer, Oriental Trading plans to add millions of curated products to its core product categories from selected brands and sellers. Oriental Trading currently offers over 50,000 products across categories like party supplies, events, toys and games, arts and crafts, teaching supplies, wedding, faith, and home décor. “As a leader in the industry, this marketplace fits perfectly into Oriental Trading’s long-term strategy, allowing them to disrupt the market and strengthen their position as a solution company by leveraging their assortments and value platforms.” “We are thrilled to play a part in helping Oriental Trading launch the first marketplace in their retail space,” said Adrien Nussenbaum, Mirakl U.S. By creating this robust marketplace, customers can easily get everything they need, at the prices they want and in one place.” “Our company’s vision is about making life more fun and that’s exactly what we’re building for our customers with this new solution. “Oriental Trading will be the first company in the celebration, education and craft retail space to provide a marketplace of this scale to online customers,” said Steve Mendlik, President and CEO of Oriental Trading Company. OMAHA, Neb.-( BUSINESS WIRE)-Oriental Trading Company, Inc., the nation’s largest direct retailer of value-priced party supplies, arts and crafts, toys, novelties, and school supplies, today announced that it will expand its e-commerce presence through a third-party seller marketplace powered by Mirakl. |
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